Kalala Kiwanuka-Woernle
Kalala Kiwanuka-Woernle (she/her) is an actor based in Boston and the Twin Cities. She studied acting at the Eugene O’Neill Theater Center and the London Academy of Music & Dramatic Arts, and received her B.A. in Theater and Dance from Macalester College. Professional theater credits include appearances at Penumbra Theatre (Flex, Spittin’ Seeds, Sugar in Our Wounds), Open Window Theatre (The Originalist), and Moonbox Productions (Once Upon a Carnival). Kalala has acted in the feature film Fakes, the web series Fallin’ Off, short films 528 and One Night Only, and the pilot Sins on 7th Street.
Mai Moua Thao
Mai Moua Thao (she/her) explores different mediums of storytelling in her journey to becoming a screenwriter-director. She dabbles in theater/dance, photography, and literature. Her work has been supported by community-centered organizations such as The Southeast Asian Diaspora Project (SEAD), St. Paul Neighborhood Network (SPNN), Filmscore Fest, and more. Professional theater credits include roles in MN Opera and Exposed Brick Theater productions. She is a first generation graduate of Macalester College ‘22, an alum of the Imagining America fellowship, and a '23-'24 Theater Mu: Mu Tang Clan fellow. This coming fall, Mai will pursue an MFA in Film at Columbia University. Look forward to screenings of Modern Shaman and OUTKASTS this summer! Mai is honored to take the stage with phenomenal artists and shares her heart for the Hmong community through Reasons for Moving.
Skye Reddy
Skye Reddy (they/them) is a South Asian performing artist and filmmaker. Their screendance work has been shown at festivals in India and the US, and featured in the LA Times. Skye's latest dance film, created during a residency at Tofte Lake Center, is currently in post-production. In different capacities, they have worked with Black Ensemble Productions, Red Eye Theater, MN Opera, Asian Media Access, Theater Mu, LimeArts, and on various Twin Cities-based short films. A graduate of Macalester College, Skye is a 2024 Pillsbury House + Theatre Naked Stages Fellow, and was the 2022-23 Production Management Fellow at Children’s Theatre Company.
Thomas Barrett has been the Technical Director and a Designer at Macalester College since 1990. He has worked throughout the Twin Cities as a scenic and lighting designer. Some theaters that his work has been seen at include: Mixed Blood Theater, Skylark Opera, Stages Theater, Knott's Camp Snoopy, History Theater and Paul Bunyan Playhouse. Some of his favorite productions include: The Love Song of J. Robert Oppenheimer at Macalester College, Ruined at Mixed Blood Theater, and A Christmas Carol at Stages Theater.
Eliot Gray Fisher (he/him) is an interdisciplinary arts worker whose hybrid practice connects live bodies with new technologies to shift our focus from the individual to the collective. As co-director of ARCOS, he creates video, music, and story, as well as performing. He has composed music and designed sound for film, theater, and dance, including an awarded commission from the Charles and Joan Gross Family Foundation and a grant from the Foundation for Contemporary Arts to collaborate with musicians in Tbilisi, Georgia. He has also conducted documentary video fieldwork recognized by an award from the Paul Robeson Fund for Independent Media, including in Sonora and Yucatán, Mexico, Minas Gerais, Brazil, and Victoria, Australia. He has built interactive installations selected for Currents New Media and commissioned by Ammerman Center for Arts and Technology and UNESCO. He has participated in artist residencies including Ucross Foundation, Kimmel Harding Nelson Center for the Arts, and Signal Culture; taught at College of Santa Fe, University of Texas at Austin, and Hollins University; served as a guest artist at University of Michigan, Colorado College, and School of the Art Institute of Chicago; and published in USITT’s Theatre Design & Technology journal and The Bloomsbury Handbook of Dance and Philosophy. He has BA degrees in Film Studies from Wesleyan University, where he received the Leavell Memorial Prize in Film, and Documentary Studies from the College of Santa Fe, and an MFA in Interdisciplinary Arts from Goddard College.
Lynn Farrington (she/her) has been a costume designer in the Twin Cities for over 30 years. After graduating from Hamline University and attending the University of Minnesota for graduate studies, she supervised professional costume shops for over a decade before becoming the resident costume designer at Macalester College until 2021. She has been a professional costume designer for many local theater companies, working extensively with the History Theater and Skylark Opera. Additionally, she has designed and built costumes for many national tours including A Christmas Carol and Forbidden Broadway. Favorite productions include Bittersweet at Skylark Opera, Fire Ball at the History Theater, and India Song at Macalester College.
Cláudia Tatinge Nascimento (she/ela) is an artist-scholar with an interest in experimental, ensemble, and political dance and theater. She began a professional acting career while living in Brazil. In the United States, Tatinge Nascimento joined Cleveland’s New World Performance Laboratory and performed in Europe, North and South America. With NWPL, she participated in Jerzy Grotowski’s final Objective Drama Session at UC-Irvine. She received a Consulate General of Brazil in New York Arts Grant to direct Pornographic Angel, her published adaptation of Nelson Rodrigues’ short stories at The Ohio Theater. She is currently the dramaturg for Li Chiao-Ping Dance’s Here Lies the Truth, a dance piece on social inequities that has toured to Honolulu, San Francisco, Minneapolis, and Las Vegas. In the Twin Cities, Tatinge Nascimento has collaborated with Exposed Brick and Playwrights’ Center. The author of After the Long Silence: The Theater of Brazil’s Post-Dictatorship Generation and Crossing Cultural Borders Through the Actor’s Work: Foreign Bodies of Knowledge, both from Routledge, her articles appear internationally in theater and performance studies anthologies, as well as in journals such as A[l]berto and Folhetim (Brazil), Biblioteca Teatrale (Italy), Didaskalia (Poland), Studia Dramatica (Romania), and TDR, Yale’s Theater, and Theater Research International (United States). She was a fellow at Trinity College Dublin’s Long Room Hub, Wesleyan University’s Center for the Humanities, Freie Universität-Berlin, and most recently an artist-in-residence at Caldera Arts Center. Tatinge Nascimento was a Professor of Theater at Wesleyan University before joining Macalester College as the chair of the Theater and Dance Department.